Over 300 Filmmakers Condemn Inclusion of Israeli Films in Venice Festival, ‘Artwashing of Gaza Genocide’

Shiryn Ghermezian

Actor Sveva Alviti, who hosted the opening ceremony of the 81st Venice Film Festival, and director Alberto Barbera react, in Venice, Italy, on August 27, 2024. Photo: Reuters/Yara Nardi

Nearly 350 filmmakers, actors, and other members of the film industry signed an open letter on Wednesday, the same day as the opening of the Venice Film Festival, criticizing the prestigious festival for featuring two Israeli films.

At the center of the controversy is Dani Rosenberg’s Hebrew-language film “Al Klavim Veanashim” (“Of Dogs and Men”), which is about the aftermath of the Oct. 7 Hamas terrorist attacks in Israel, and “Why War” by director and screenwriter Amos Gitai, which will be making its world premiere on Aug. 31 out of competition. The latter film was inspired by a correspondence between Albert Einstein and Sigmund Freud about avoiding war and “embarks on a search for an explanation of the savagery of wars that inhabit our world,” according to a synopsis provided by the Venice Film Festival.

In the open letter, published by Artists for Palestine Italia, members of the film industry claim “Of Dogs and Men” and “Why War” were “created by Israeli production companies that are complicit in whitewashing Israel’s oppression against Palestinians.” They claimed it was “unacceptable” for the Venice Film Festival to showcase both films and said they “reject complicity with the Israeli regime of apartheid and oppose the artwashing of its Gaza genocide against Palestinians at the 81st Film Festival in Venice.”

“‘Of Dogs and Men,’ shot in the midst of Israel’s ongoing attacks on Gaza, whitewashes the genocide,” the letter continued. “Like ‘Of Dogs and Men,’ ‘Why War’ was created by complicit Israeli production companies that contribute to apartheid, occupation, and now genocide through their silence or active participation in artwashing. Palestinian society, including the absolute majority of filmmakers, has called for refusing to screen such productions.”

Among the signatories were a number of Palestinian filmmakers and actors — including two-time Oscar-nominated filmmaker Hany Abu-Assad, Rosalind Nashashibi, Raed Andoni, and Saleh Bakri — as well as more than 80 Italian film industry figures such as screenwriter and David di Donatello nominee Davide Serino; filmmakers Enrico Parenti and Alessandra Ferrini; and actors Niccolò Senni, Simona Cavallari, Chiara Baschetti, and Paola Michelini. Others who signed the open letter included Tony Award nominee Kathleen Chalfant, César-winning actor Nahuel Pérez Biscayart, composer Nitin Sawhney, and Israeli filmmakers Oreet Ashery and Eyal Sivan.

The film industry figures also took issue with the Venice Film Festival for staying silent “about Israel’s atrocities against the Palestinian people.”

“This silence outrages us deeply,” they explained, before urging film festival organizers to take “effective and ethical measures to hold apartheid Israel to account for its crimes and system of colonial oppression against Palestinians.”

“The film festival should not program productions complicit in apartheid crimes, ethnic cleansing, and genocide, regardless who perpetrates them, and should refrain from doing so in the future,” the open letter stated in conclusion. “Artwashing Israel’s genocide in Gaza on the international cultural stage, including film festivals, is profoundly immoral.”

The Venice Film Festival last year hosted the world premiere of “Tatami,” the first feature film co-directed by an Israeli and an Iranian filmmaker, as well as the world premiere of “Letters from Drancy,” a virtual reality film about the life of a Holocaust survivor.